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Most people were shocked that they knew these songs, but not the source that brought them into the world. Baruch, the orchestra, and Zemiros Group went on to perform a medley of some of Bentzion’s songs including Aishes Chayil, Mizmor L’dovid, Yosis, Lirusholayim and most recently Hatoiv. People don’t really have an idea of just how many of niggunim they sing on a weekly basis that were created by this gadol. It was at this point in the show that Baruch mentioned the passing of Jewish music legend and gadol, Reb Bentzion Shenker zt”l. From there Levine segued into another big song of his, Uforatzto. With the applause dying away, Zale’s voice resonated yet again, “Ladies and gentlemen, please welcome, a Toronto native Baruch Levine.” Reb Baruch came out strong with the hit song Vayehi Beshurun off his latest album Bonim Atem (BL5). They were joined by the talented voices of the Zemiros Group led by Yoely Polatseck. Abie then invited renowned singer Rivie Schwebel to perform with him some songs from his Lev V’nefesh series, which was produced by Sheya. Abie then thanked Camp HASC, and more importantly Sheya Mendlowitz, whom he said was responsible for Abie becoming a performer in the first place. Abie started off the evening with his popular song composed for a Camp HASC concert years ago titled You and I. Once the famed intro was played with the lighting show, Zale’s voice rang out introducing the famed composer and singer Abie Rotenberg. The orchestra for the night, a Yosis orchestra featured some of the best musicians, including musical director and arranger, Rafi Greidi. The evening started out with emcee of the original Camp HASC shows, Zale Newman, giving a heartwarming speech about the history of Camp HASC, how the concerts came to be, and the wonderful work this organization has done for over 40 years. With literally no information on the evenings performers since the date was announced, electricity was in the air as the audience waited with abated breath to see who would be revealed on the Camp HASC stage. With an amazing light and sound setup, including and a semi-circular layout of LED screens on stage, it was a thrill for the scenes. The show was produced by the famed Eli Gerstner of EG Productions and like all of his productions, it didn’t disappoint. The annual Camp HASC (Hebrew Academy for Special Children) concert celebrated three decades of spectacular events, and more importantly, raised the funds desperately needed to keep the amazing summer camp alive. Now, on the eve of a new Rosh Hashanah, Rav Avigdor Miller’s lesson continues to inspire.This momentous event took place in Manhattan, NY at the David Geffen Hall inside the famed Lincoln Center. The words to the hit song were written 340 days after last Rosh Hashanah (with 5779 being a leap year, the Jewish calendar is longer than usual).
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My brother-in-law adopted the minhag, and it motivated us to do so as well.” “Rav Miller suggested that we count each day beginning with Rosh Hashanah, numbering each one as another gift from the Ribbono shel Olam. One of those teachings was that we have to be grateful for each day, and he had a practical way to implement it. Adele Shwekey.” The Shwekeys lived with many of Rav Avigdor’s life lessons. “Rabbi Miller would say that people seeking blessings could go to my grandmother, Mrs.
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The respect went both ways, Yaakov Shwekey says. T’s been several weeks since Yaakov Shwekey’s exuberant new song “I Am Alive” has been released and the question has been asked, again and again: What is meant by the lyrics, “It’s been 340 days / thanking you ten million ways / that I am alive, I am alive.” What’s the significance of the number? It’s been 340 days since what?Ī generation ago, the music superstar’s grandparents were committed members of Rav Avigdor Miller’s shul in Brooklyn. On the eve of a new Rosh Hashanah, Rav Avigdor Miller’s lesson continues to inspire.